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Showing posts with label Therese Veier. Show all posts
Showing posts with label Therese Veier. Show all posts

December 6, 2011

Tuesday, December 06, 2011 - ,, No comments

Post from Norway: Kvalheim accused of selling fake Hamsun and Ibsen documents

by Therese Veier, ARCA Blog Norwegian Correspondent

Geir Ove Kvalheim has been indicted by Økokrim, Norway’s art crime unit, accused of committing extensive forgeries of writings and documents from the world famous authors Knut Hamsun and Henrik Ibsen. One of the buyers of Kvalheim's alleged forgeries is The National Library in Norway[1]. The library bought the supposed fakes via Norli’s antique shop[2]  in Oslo.

When the news about the scale of the forgeries and the indictment broke, Kvalheim found himself in the middle of a scandal that has really upset Norwegian collectors and the National Library as well as experts and scholars on Hamsun and Ibsen[3].

After an ongoing police investigation since 2008, Økokrim has now indicted the 41-year-old man with gross fraud in connection with the resale of a number of writings and documents that allegedly originated from Knut Hamsun and Henrik Ibsen[4]. The indictment includes 13 documents, amongst others [5]:
-manuscript fragments of the novel På Gjengrodde stier / On Overgrown Paths by Knut Hamsun;
-manuscript fragments of the novel John Gabriel Borkman by Knut Hamsun;
-registration letter for the NS (6)  signed by Knut Hamsun;
-pocket almanac from 1943 with Knut Hamsun’s own handwritten notes;
-handwritten obituary by Knut Hamsun for Vidkun Quislings death[7];
-two first editions by Henrik Ibsen’s novel John Gabriel Borkman with dedications to Bjørnstjerne Bjørnson and Edvard Munch;
-a letter from Henrik Ibsen to Knut Hamsun dated 1891, inscription by Knut Hamsun dated 1948; and
-other letters and personal greetings

Constructed ownership
- This is a unique criminal case in both Norwegian and European context. We are very familiar with art forgery, but in this country we have never seen attempted fraud with historical documents in this way or to this extent before, says chief public prosecutor Hans Tore Høviskeland in Økokrim’s environmental crime department. [8]

This type of fraud is really grave, but sadly I do not think it is unique, it may be unique in Norway but not in European fraud history. Fraud cases involving forgery of provenance and documents can be very tricky and hard to detect, but after the well known British case involving John Myatt and John Drewe perhaps people are becoming more aware.

During Økokrim’s investigations to reveal Kvalheim’s forgeries they used font experts and performed provenance research. According to the indictment, information about previous ownership in several cases was constructed by Kvalheim without the knowledge of the various people listed as previous owners. [9]

It sounds as if this was a rather poorly constructed fake provenance that should have been easy to detect when Kvalheim first approached the antiques dealers.

Lars Frode Larsen, a Hamsun researcher, was among those who already early on raised the alarm about possible fakes of Hamsun related documents from Kvalheim’s collection.

-The police investigation has taken more than three years, but I am glad charges have now been brought, says Larsen. [10]

Had a commission agreement
According to Økokrim’s indictment most of the sales where made in the years 2005-2006, through a commission agreement Kvalheim made with Norli’s antique shop in Oslo. Via Norli’s antique shop, several of the fake documents made their way into the National Library’s collection, who during this period bought eight fake Hamsun documents for the total amount of 695 000 NOK (92 000 Euro). [11]

In March 2006, Kvalheim also offered Cappelen's antiquarian bookshop in Oslo the chance to buy a supposedly unknown play by Henrik Ibsen entitled The Sun God. However the bookshop employees expressed doubts about the object's authenticity and did not take it on commission to resell any of these items. However, now, Kvalheim is also charged for this attempt of fraud.

In addition to these crimes, Kvalheim is accused of having sold a fake award evidence, the object is a gold German Cross from the Waffen SS. This was sold to the shop Derek’s Militaria in Tønsberg for the sum of 20 000 NOK.

Embarrassing to have been duped
The head of Norli’s antiquary, Rolf Warendorf is shocked at the extent of the fraud, but believes this is a one-time event.

- It is embarrassing to have been duped in this way. This is not a good thing for us, says Warendorf. [12]

It was Warendorf who first met with Kvalheim in 2005.  He considered the items to be authentic, and agreed to take them in commission.

Probably more fakes in the market
Both Økokrim’s investigators and Hamsun expert Lars Frode Larsen warns collectors that there may be more fakes in the market.
- We have seen that there have been other fakes in circulation than those covered by the indictment, said Høviskeland in Økokrim. [13]

-I encourage people who have purchased items that can be linked to Kvalheim, to perform a thorough check of previous ownership history on the objects purchased, advises Larsen.[14]
On Tuesday 29th of November Warendorf from Norli’s antigue shop could still not say exactly how much material the bookshop had purchased from the collector, except that it is “much more” than those contained in Økokrim’s indictment.[15]

I find some of Warendorf’s statements very alarming, particularly when he says the bookshop has not done anything with their procedures to prevent such scandals in the future. Unfortunately this illustrates the naivety and lack of knowledge about these types of crimes among some of the professionals which in turn makes it easier for conmen to slip fakes into the market.
- I am convinced this is an exceptional case. This is not something that happens every ten or fifty years, says Warendorf.[16]
The National Library has yet not made a public comment about the indictment. The defendant (Kvalheim), and his lawyer, have so far refused to make any comments.

I will continue to follow this case closely. It seems like Økokrim has made a thorough investigation. It sends an important signal that this type of fraud is treated as especially grave, because forging these type of objects can contribute to create a false impression of important people, events and works that are a part of Norwegian cultural and literary history. On the other hand it is naïve and scary that some professional dealers think this type of crime is almost non-existent, and that they seem unwilling to revise their routines for provenance research. It is much harder to reveal forgeries once they are resold and have entered the market or collections, private or public. So in the meantime, it is perhaps best for collectors to follow the old Latin saying “caveat emptor” (Let the buyer beware).

About Geir Ove Kvalheim:
Kvalheim is a Norwegian actor, director and copywriter, as well as being a collector. Kvalheim has been involved in an earlier judicial dispute. In 2009 he was convicted and had to pay Fredrik Jensen, an SS-veteran, the amount of 370 000 NOK (49 000 Euro), after an allegation concerning fraud in connection with a planned documentary film about Norwegian SS-veterans.[17]

In 2001 Jensen also gave the director a loan of 200 000 NOK for production of the documentary; however, the documentary was never finalised.

Text by Therese Veier, an art historian, lawyer and writer. Currently works at Public Art Norway.

Sources:
[6] Nasjonal Samling was a party formed by Vidkun Quisling.
[7] Vidkun Quisling lived from 18 July 1887 – 24 October 1945, and he was a Norwegian politician. On the 9th of April 1940, with the German invasion of Norway in progress, he seized power in a Nazi-backed coup d'etat that garnered him international infamy. From 1942 to 1945 he served as Minister-President, working with the occupying forces. His government, known as the Quisling regime, was dominated by ministers from Nasjonal Samling, the party he had founded in 1933.


October 11, 2011

Tuesday, October 11, 2011 - ,, 2 comments

Post from Norway: Odd Nerdrum Denied Painting Privileges (Part III)

by Therese Veier

As to the issue of denying Nerdrum to paint, convicts in Norway are usually encouraged to paint or take art classes during their time in prison. The Justice department states to the media, that according to Norwegian laws, it is forbidden to exercise business while in prison. Since Nerdrum makes his livelihood by painting art works, he can possibly make money by selling the works he paints in prison either during or after his sentence is completed.

Nedrum is a controversial person in Norway - many find him provocative and his painting style dated. But personal feelings set aside, is it a lot harder for an artist to be forced not to make art for a limited time period than it is for people in other occupations to be denied performing their occupations?

Is anyone familiar with other similar cases regarding artists and; messy accounting, lack of reporting income, tax evasion, and being refrained from making art for a certain duration of time?

The verdict from the district court has been appealed, and might change in a higher court, but still the verdict is sending a signal to artists and other professionals.

Facts about Odd Nerdum (1944 - ):

Norwegian figurative painter. Some call him a modern classicist.

After studying at the Art Academy in Oslo, Nerdrum later studied with Joseph Beuys, at the Kunstakademie Düsseldorf.

His primary influences are Carvaggio, Rembrandt and Tizian. One of his most known works are "The Killing of Andreas Baader" from 1977-1978, where he portraits the terrorist as a victim.

His opinions on art have caused several media debates the past 30 years. About 10-12 years ago Nerdrum stated that his art should be understood as kitsch rather than art as such. "On Kitsch", a manifesto composed by Nerdrum describes the distinction he makes between kitsch and art.
Nerdum suffers from Tourettes syndrome.

In 2002 he officially claimed that he would never again make any comments or statements to the Norwegian press.

Over the years Nerdrum has had several pupils / assistants that have wanted to learn his craft because his approach to painting is based on traditional methods that include mixing and grinding his own pigments, working on canvas he had stretched or stretched by assistants rather than on pre-stretched canvas, and working from live models often himself, and in many cases members of his own family. Several of his pupils have said that they feel like outcasts who are not respected in art circles because they aspire to paint figuratively and are inspired by renaissance and baroque artists.

In December 2003 Nerdrum left Norway and bought a house on Island, a country he had travelled to for several years. The landscape on Island, especially the volcanoes and the color of the soil has been of particular interest to the artist, and often served as backdrop for his paintings. In 2011 the artist returned to Norway, he currently resides at Rødvik farm in the Norwegian city Stavern.

October 10, 2011

Monday, October 10, 2011 - ,, 2 comments

Post from Norway: Tax Evasion or Conservation Repayment? Odd Nerdrum's Troubles (Part II)

by Therese Veier

Odd Nerdrum kept a storage box in an Austrian bank where he stashed $ 900,000. Why he did this is disputed and seems to be at the core of the disagreement. According to the district court, there is substantial evidence that the artist kept the cash in a storage box in a foreign bank in order to intentionally withhold a substantial amount of profit made from the sale of art works from the IRS.

The artist’s explanation as for why he needed to store such a huge amount of cash is the following:
I kept the money in a bank vault in Austria, as an insurance fund against damages, resulting from a period where I used a particular oil paint that after a few years began to “melt” and slide down the canvas on a variety of pictures that had been sold.
The artist states that he has tried to remedy some of the damage by painting new pictures that would replace the old ones, in addition to putting aside funds in a safety deposit box intended to be used as compensation to collectors that had bought damaged works. At the most, the cash amount in the bank box was $ 900,000, according to Nerdrum.

However the district court does not believe the artists explanation about why he needed and kept a deposit box with cash, because the artist has changed his statements and various reasons as to why he kept such a huge amount of cash in a storage box, and the judge does not believe the artist when he claims that the storage box belongs to his American art dealer.

As to the two-year jail sentence, in the past, courts have tended to be stricter in their punishments for white-collar crimes. Should artists be treated differently from other people just because they claim to be no good with numbers? Does the commercial art world and art speculation encourage artists to, perhaps unintentionally, violate rules for reporting sales and keeping correct accounting of their income without really understanding the full consequences of their actions? Like other professionals, artists have to submit to the same laws and regulations regarding taxes as others, and if their financial abilities are limited they should hire help. But up until now I have not heard of other similar cases where the artist has been sentenced to jail for several years and specifically forbidden to make art works in that period.

This story will be concluded in tomorrow's post.

October 9, 2011

Post from Norway: Odd Nerdrum's Accounting and His Tax Problems (Part I)

by Therese Veier

This post could be subtitled "Don't mess with the IRS -- the Norwegian IRS in this case".

On the 17th of August the Norwegian artist and painter Odd Nerdrum was sentenced to two years in prison by the district court in Oslo. The artist was found guilty of consciously having tried to conceal his total income in order to evade taxes. In addition to the prison sentence, the artist will probably not be allowed to paint during his two years of imprisonment. According to the court, Nerdrum has sold paintings for 10,5 million NOK in the period 1998-2002 without reporting this income to the IRS. The income Nerdrum reported to the IRS in 2009 was 2,2 million NOK. The artist is listed with a fortune of 10,3 million NOK. The artist has also been condemned to pay the legal fees. Before the court case started, the artist had paid his outstanding tax amount and settled his debt with the IRS. The amount was not disputed by the artist during the trail.

Nedrum’s defense lawyer, Tor Erling Staff, told the Norwegian paper Aftenposten that the verdict will be appealed immediately because it has been carried out a selective choice of information in the case and that not all issues have been discussed.
My impression is that the district court thinks Nerdrum lacks credibility and instead must prove his innocence, says Staff.
Nerdrum is furious with the court because a prison sentence means he will loose his American visa.
Two years in prison and I lose my visa to the United States. Now I cannot be a guest teacher at Maryland Institute College of Art, the Pennsylvania Academy of Fine Art or New York Academy of Art, says Nerdrum.
The artist states to the press that it feels like the Norwegian government is executing a vendetta against him.

Awaiting his appeal the artist is now hiding from the press in his castle, situated in Maisons-Lafitte, a fashionable suburb outside Paris. The estate is registered to his wife, and was recently purchased by her company. It is intended to be used as a family house, with ample room for Nerdrum’s pupils.

About the district courts verdict - the court claims that it had proved beyond reasonable doubt that Nerdrum had devoted considerable effort to hide the total sum of his income from Norwegian authorities. It is especially aggravating that the profit from this income has been hidden in such a way that the risk of discovery has been very small.

BIBLIOGRAPHY:

 http://www.dagbladet.no/2011/08/19/kultur/kunst/odd_nerdrum/17733719/

This story will be continued in tomorrow's post.

Therese Veier previously contributed to the ARCA blog on the subject of Edvard Munch.